nature-and-culture: “ Sir William Russell Flint (Scottish, 1880-1969). Watercolour, gouache and pastel. ”

nature-and-culture:

Sir William Russell Flint (Scottish, 1880-1969). Watercolour, gouache and pastel.

via : storia.dellarte

(Reblogged from nippurrojo)
thunderstruck9: “Manuel Felisi (Italian, b. 1976), Alberi [Trees], 2013. Mixed media on jute, 210 x 160 cm. ” View high resolution

thunderstruck9:

Manuel Felisi (Italian, b. 1976), Alberi [Trees], 2013. Mixed media on jute, 210 x 160 cm.

(Reblogged from myfairynuffstuff)
huariqueje: “ Lovers in a Woodland Claring - John Atkinson Grimshaw ,1871. British 1836-1893 mixed media on card; each 19.5 x 15 cm. (7 ¾ x 6 in.); ” View high resolution

huariqueje:

Lovers in a Woodland Claring   -   John Atkinson Grimshaw ,1871.

British 1836-1893

mixed media on card; each 19.5 x 15 cm. (7 ¾ x 6 in.); 

(Reblogged from elpinceldelburdel)
radstudies: “Thomas Moran (American, 1837-1926) - Grand Cañon after a Storm, 1910 ” View high resolution

radstudies:

Thomas Moran (American, 1837-1926) - Grand Cañon after a Storm, 1910

(Reblogged from radstudies)

oldbooklover:

illustrations by french graphic artist charles jouas, for the book la cite des eaux, by symbolist poet henri de regnier

(Reblogged from oldbooklover)
furtho: “Max Dupain’s Bawley Point Landscape, 1938 (via here) ” View high resolution

furtho:

Max Dupain’s Bawley Point Landscape, 1938 (via here)

(Reblogged from gacougnol)
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tomorrowcomesomedayblog:

One of the more unusual and appealing things about David Crosby’s music is his strong jazz influence in the folk and rock idioms. “Tamalpais High (At About 3)” is a perfect example of this. Cast in a jazzy groove, the rhythm section is a virtual playground for Crosby (and sundry friends, including Graham Nash) to weave their beautiful vocal pyrotechnics. The free-flowing quality of the melody is so loose that it threatens to have the entire piece come apart at any moment, yet the strength and inventive quality of the melodies contained here keep that far from a reality. The song is buttressed by several members of the Grateful Dead, who basically provide the rhythm section in their own patented dark and loose-limed aplomb. A true lost masterpiece, it remains one of the highlights of the brilliant If I Could Only Remember My Name album.  

allmusic

(Reblogged from tomorrowcomesomedayblog)
catonhottinroof: “ Elijah Walton (1832–1880) Monte Civita, Italy ” View high resolution

catonhottinroof:

Elijah Walton (1832–1880) 

Monte Civita, Italy

(Reblogged from catonhottinroof)
70sscifiart: “ Gene Szafran ” This edition was a 70s reprint of of Franz Werfel’s 1945 Visionary/Science Fiction novel, The Star of the Unborn. It was a wrap around cover, so we only can see one half of the painting here. View high resolution

70sscifiart:

Gene Szafran

This edition was a 70s reprint of of Franz Werfel’s 1945 Visionary/Science Fiction novel, The Star of the Unborn. It was a wrap around cover, so we only can see one half of the painting here.

(Reblogged from 70sscifiart)
View high resolution
(Reblogged from enmiljontystnader)